翻訳と辞書
Words near each other
・ You Debt Your Life
・ You Decorated My Life
・ You Deliver Me
・ You Can't Beat the Law
・ You Can't Beat Tomorrow
・ You Can't Believe Everything
・ You Can't Blame the Train
・ You Can't Bring Me Down
・ You Can't Buy a Gun When You're Crying
・ You Can't Buy Everything
・ You Can't Buy Luck
・ You Can't Catch Me
・ You Can't Catch Me (album)
・ You Can't Change Me
・ You Can't Change That
You Can't Cheat an Honest Man
・ You Can't Count on Me
・ You Can't Deny It
・ You Can't Do Me
・ You Can't Do That
・ You Can't Do That on Stage Anymore
・ You Can't Do That on Stage Anymore, Vol. 1
・ You Can't Do That on Stage Anymore, Vol. 2
・ You Can't Do That on Stage Anymore, Vol. 3
・ You Can't Do That on Stage Anymore, Vol. 4
・ You Can't Do That on Stage Anymore, Vol. 5
・ You Can't Do That on Stage Anymore, Vol. 6
・ You Can't Do That on Television
・ You Can't Do That on Television, Peter
・ You Can't Escape


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You Can't Cheat an Honest Man : ウィキペディア英語版
You Can't Cheat an Honest Man

''You Can't Cheat an Honest Man'' is a 1939 American comedy film starring W. C. Fields. Fields also wrote the story on which the film is based under the name Charles Bogle.
==Production background==
Fields plays Larsen E. Whipsnade, the owner of a shady carnival that is constantly on the run from the law. The whimsical title comes from a line spoken by Fields about ten minutes into the film. Whipsnade says that his grandfather Litvak's last words, spoken "just before they sprung the trap", were: "You can't cheat an honest man; never give a sucker an even break, or smarten up a chump." The line expands on his character's comment to his daughter in the musical ''Poppy'' (1923): "Let me give you just one bit of fatherly advice: ''Never give a sucker an even break.''" (This is the title of a subsequent Fields film, made in 1941.) The character name is obviously a play on "larceny", a point which Fields reinforces at one point when someone calls him "Larceny Whipsnake".
The film features Edgar Bergen and Charlie McCarthy, capitalizing on the popularity of their ongoing radio "feud" with Fields.
According to historian William K. Everson, the film has three directors. George Marshall, the credited director, did not get along with Fields, so he worked mostly with the other cast members, while Eddie Cline was brought in to work with Fields, who had worked previously with Cline and liked him. (Cline in fact went on to direct Fields' next three films.) B. Reeves Eason was the second-unit director, helming the chase scenes and other action-oriented material.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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